Aus der Signature-Serie von Pro Tone Pedals. Dieses Pedal wurde spziell nach den Anforderungen von Pete Evick, Lead-Gitarrist der Bret Michaels Band designed. Pete forderte ein Delay Pedal mit einem authentischen Vintage-Sound und genügend Delay-Zeit. Die Besonderheit hierbei ist die Funktion des Volume_Reglers, der als Master-Volume-Regler fungiert und den Sound zusätzlich anboosten kann bei Soli. 

Pro Tone Pedale sind auf Tour mit Alice In Chains, 30 Seconds To Mars, Camp Freddy, Flickerstick, Poison, Ministry, Prong, Peter Murphy, and Bleed ve Die Sky. In Studioaufnahmen von Nevermore, Velvet Revolver, The Absence, Arkaea, Overkill, Mob Research, Circus Diablo und Fear Factory sind diese Pedale ebenfalls zu hören.

Features:

Volume, Mix, Repeats and Volume controls

Operates on a standard 9 volt (negative tip) BOSS style adapter

True Hardwire Bypass for noise free operation

Stomp switch built to withstand years of hard stomping shows

Durable aluminum housing

Neutrik Jacks

Proudly built by hand in Crossroads, Texas

Built to meet the demands of full time touring guitarist Pete Evick, lead guitarist for The Bret Michaels Band. Pete required a delay pedal with enough vintage tone to keep his sound authentic, and enough gain control to boost his signal, and thicken his sound during solos.

The Delay control adjusts the delay time. The Mix control offers the user full control of the balance of wet and dry signal. The Repeats control determines the number of repeats. Full counter clock wise allows one repat to come through, while full clockwise allows endless repeats to create lush sonic landscapes. The Volume control acts as a master volume control and can range from dead silent to a boosted signal that will send your amp into an overdriven heaven.